{"id":10143,"date":"2024-10-16T13:34:06","date_gmt":"2024-10-16T13:34:06","guid":{"rendered":"https:\/\/laprensanewspaper.com\/?p=10143"},"modified":"2024-10-16T13:34:19","modified_gmt":"2024-10-16T13:34:19","slug":"tickets-now-on-sale-for-long-awaited-picasso-and-paper-exhibition","status":"publish","type":"post","link":"https:\/\/laprensanewspaper.com\/index.php\/2024\/10\/16\/tickets-now-on-sale-for-long-awaited-picasso-and-paper-exhibition\/","title":{"rendered":"Tickets now on sale\u00a0for long-awaited\u00a0Picasso and Paper\u00a0Exhibition\u202f"},"content":{"rendered":"

\"\"<\/a>CLEVELAND<\/strong>, October 8, 2024: The Cleveland Museum of Art (CMA)<\/em> has opened ticket sales for its next major exhibition\u00a0Picasso and Paper<\/em>, on view December 8, 2024, through March 23, 2025, in the Kelvin and Eleanor Smith Foundation Exhibition Hall and Gallery. Tickets went on sale October 10, 2024. The CMA recommends reserving tickets through its online platform at https:\/\/www.clevelandart.org\/exhibitions\/picasso-and-paper<\/a> or calling 216-421-7350.<\/p>\n

Pablo Picasso\u2019s tireless experimentation with and on paper is the subject of the groundbreaking exhibition\u00a0Picasso and Paper<\/em>, organized by the Cleveland Museum of Art (CMA) and the Royal Academy of Arts, London, in partnership with the Mus\u00e9e\u00a0national Picasso-Paris. Showcasing nearly 300 works spanning his 80-year career,\u00a0Picasso and Paper<\/em>\u00a0explores the artist\u2019s diverse use of paper, a medium he used to challenge and transform the way we see art.<\/p>\n

Originally scheduled to appear at the CMA in September 2020, this highly anticipated exhibition has been reconstituted with an exciting selection of additional works.\u00a0Picasso and Paper<\/em>\u00a0will begin welcoming the public on December 8, 2024, through March 23, 2025, in the Kelvin and Eleanor Smith Foundation Exhibition Hall and Gallery.<\/p>\n

The exhibition\u2019s highlights include\u00a0Women at their Toilette\u00a0<\/em>(1937\u201338), an extraordinarily large collage (9 13\/16 x 14 1\/2 feet) of cut-and-pasted papers, exhibited for the first time in the United States; rarely seen Cubist collages; the artist\u2019s private sketchbooks, including studies for his best-known paintings, including\u00a0Les Demoiselles d\u2019Avignon<\/em>; constructed paper guitars from the Cubist and Surrealist periods; prints that offer an intimate view of Picasso\u2019s complex working process; and an array of works related to the artist\u2019s most celebrated paintings and sculptural projects.<\/p>\n

\u201cThe CMA is excited to finally bring\u00a0Picasso and Paper<\/em>\u00a0to Cleveland, its only venue in North America,\u201d said Britany Salsbury, curator of prints and drawings. \u201cAlthough Picasso\u2019s name might most immediately bring to mind\u00a0his paintings, paper was at the core of his experimentation throughout his entire life. Due to its rich chronological focus and its depth, this exhibition offers an opportunity for visitors to better understand Picasso and his contributions to art history, or for those already familiar to see him in an entirely new light.\u201d<\/p>\n

The exhibition presents these works on paper chronologically alongside a selection of closely related paintings and sculptures. The CMA\u2019s\u00a0La Vie<\/em>\u00a0(1903), from Picasso\u2019s Blue Period, will be featured with preparatory drawings and other works on paper exploring corresponding themes. In the Cubist section, Picasso\u2019s 1909 bronze\u00a0Head of a Woman (Fernande)<\/em>\u00a0(Mus\u00e9e\u00a0national Picasso-Paris) will be surrounded by a large group of related drawings. Seen together, these groupings highlight the connections that Picasso saw between media, his fascination with the materials that he worked with, and the integral role that paper played throughout his artistic practice.<\/p>\n

\u201cPaper offered Picasso an intimate space in which he could not only respond to events in his personal life and in the world around him, but also carry out radical formal experimentation,\u201d said Salsbury. \u201cPicasso and Paper\u00a0<\/em>traces some of the most significant shifts in modern art through his artistic practice with rarely seen artworks from the most internationally significant holdings of his work.\u201d<\/p>\n

To reserve tickets for\u00a0Picasso and Paper\u00a0<\/em>visit:\u00a0clevelandart.org\/exhibitions\/picasso-and-paper<\/a><\/p>\n

Member Preview Days<\/u><\/strong><\/p>\n

Members see it FIRST and for FREE!<\/p>\n

Members can view\u00a0Picasso and Paper<\/em>\u00a0first on Member Preview Days,\u00a0Friday, December 5, 10:00 a.m. to 9:00 p.m.; Saturday, December 6, 10:00 a.m. to 5:00 p.m.,\u00a0<\/strong>and\u00a0Sunday, December 7, 10:00 a.m. to 5:00 p.m.<\/strong>\u00a0Join<\/strong><\/a>\u00a0today and reserve free tickets.<\/p>\n

\u00a0<\/strong><\/p>\n

Ticket Pricing<\/u><\/strong><\/p>\n

Adults $22; seniors, students, and children ages 6\u201317 $15; children 5 and under and CMA members free.<\/p>\n

The CMA recommends reserving tickets through its online platform by visiting the\u00a0exhibition webpage<\/a>. Tickets can also be reserved by phone at 216-421-7350 or on-site at one of the ticket desks.<\/p>\n

Tickets are expected to book quickly and are not guaranteed.<\/strong>\u00a0Your first choice of date and time may not be available, so please have other date and time options in mind when reserving tickets.\u00a0Advance ticket sales are highly recommended<\/u>.<\/em><\/strong>
\nExhibition Catalogue<\/u><\/strong><\/p>\n

Picasso and Paper<\/em>\u00a0is\u00a0accompanied by a fully illustrated catalogue published by the Royal Academy of Arts. It features essays by distinguished Picasso scholars and leading authorities in various aspects of technical art history, including William H. Robinson, formerly of the Cleveland Museum of Art; Ann Dumas of the Royal Academy of Arts; Emilia Philippot of the Mus\u00e9e\u00a0national Picasso-Paris; and Claustre Rafart\u00a0Planas of the Museu\u00a0Picasso, Barcelona. Specific aspects of Picasso\u2019s engagement with paper are addressed by Christopher Lloyd, an expert on Picasso\u2019s drawings; Stephen Coppel, curator of prints and drawings at the British Museum; Violette Andres, photography curator at the Mus\u00e9e\u00a0national Picasso- Paris; Johan Popelard\u00a0of the University of Paris; and Emmanuelle Hincelin, a paper conservator with scientific expertise in the types of paper Picasso used at key moments in his career.<\/p>\n

Pictured: Women at Their Toilette<\/em>,\u00a0<\/em>Paris, winter 1937\u201338.\u00a0 Cut wallpapers with gouache on paper pasted onto canvas; 299 x 448 cm. Mus\u00e9e\u00a0national Picasso-Paris, Pablo Picasso Gift in Lieu, 1979. MP176. Photo \u00a9 RMN-Grand Palais (Mus\u00e9e\u00a0national Picasso-Paris) \/ Adrien Didierjean. \u00a9 Estate of Pablo Picasso \/ Artists Rights Society (ARS), New York<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

CLEVELAND, October 8, 2024: The Cleveland Museum of Art (CMA) has opened ticket sales for its next major exhibition\u00a0Picasso and Paper, on view December 8, 2024, through March 23, 2025, in the Kelvin and Eleanor Smith Foundation Exhibition Hall and Gallery. Tickets went on sale October 10, 2024. The CMA recommends reserving tickets through its<\/p>\n","protected":false},"author":2,"featured_media":10144,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_rtcl_gb_attr":"","footnotes":""},"categories":[6],"tags":[],"wf_post_folders":[224],"class_list":["post-10143","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"aioseo_notices":[],"rttpg_featured_image_url":{"full":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/10\/CMA-Picasso.jpg",700,468,false],"landscape":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/10\/CMA-Picasso.jpg",700,468,false],"portraits":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/10\/CMA-Picasso.jpg",700,468,false],"thumbnail":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/10\/CMA-Picasso-150x150.jpg",150,150,true],"medium":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/10\/CMA-Picasso-300x201.jpg",300,201,true],"large":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/10\/CMA-Picasso.jpg",640,428,false],"1536x1536":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/10\/CMA-Picasso.jpg",700,468,false],"2048x2048":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/10\/CMA-Picasso.jpg",700,468,false],"rtcl-gallery":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/10\/CMA-Picasso-700x462.jpg",700,462,true],"rtcl-thumbnail":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/10\/CMA-Picasso-320x240.jpg",320,240,true],"rtcl-gallery-thumbnail":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/10\/CMA-Picasso-150x105.jpg",150,105,true],"psacp-medium":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/10\/CMA-Picasso.jpg",500,334,false],"rpwe-thumbnail":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/10\/CMA-Picasso-45x45.jpg",45,45,true]},"rttpg_author":{"display_name":"LaPrensa Newspaper","author_link":"https:\/\/laprensanewspaper.com\/index.php\/author\/laprensa\/"},"rttpg_comment":0,"rttpg_category":"Articles<\/a>","rttpg_excerpt":"CLEVELAND, October 8, 2024: The Cleveland Museum of Art (CMA) has opened ticket sales for its next major exhibition\u00a0Picasso and Paper, on view December 8, 2024, through March 23, 2025, in the Kelvin and Eleanor Smith Foundation Exhibition Hall and Gallery. Tickets went on sale October 10, 2024. The CMA recommends reserving tickets through its","_links":{"self":[{"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/posts\/10143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/comments?post=10143"}],"version-history":[{"count":1,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/posts\/10143\/revisions"}],"predecessor-version":[{"id":10145,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/posts\/10143\/revisions\/10145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/media\/10144"}],"wp:attachment":[{"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/media?parent=10143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/categories?post=10143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/tags?post=10143"},{"taxonomy":"wf_post_folders","embeddable":true,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/wf_post_folders?post=10143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}