{"id":10434,"date":"2024-12-04T15:10:19","date_gmt":"2024-12-04T15:10:19","guid":{"rendered":"https:\/\/laprensanewspaper.com\/?p=10434"},"modified":"2024-12-04T15:12:07","modified_gmt":"2024-12-04T15:12:07","slug":"magos-herrera-performing-live-at-cleveland-museum-of-art-december-11th","status":"publish","type":"post","link":"https:\/\/laprensanewspaper.com\/index.php\/2024\/12\/04\/magos-herrera-performing-live-at-cleveland-museum-of-art-december-11th\/","title":{"rendered":"Magos Herrera performing live at Cleveland Museum of Art December 11th"},"content":{"rendered":"

\"\"<\/a>Mexican arts and culture are on full display at the CMA. Coinciding with the museum\u2019s exhibition\u00a0Picturing the Border<\/em>, Grammy-nominated vocalist Magos Herrera<\/em> makes her Gartner Auditorium<\/em> debut with her quartet, Wednesday, December 11, 2024, 7:30\u20139:00 p.m.<\/p>\n

Born in Mexico City and currently based in New York City, Magos<\/em> is a dazzling jazz singer-songwriter, producer, and educator declared as \u201cone of the greatest contemporary interpreters of song\u201d by the Latin Jazz Network. With a sultry voice and an unparalleled presence in the contemporary Latin American jazz scene, she is best known for her eloquent vocal improvisation and her singular bold style, which embraces elements of contemporary jazz with Ibero-American melodies and rhythms in a way that elegantly blends and surpasses language boundaries.<\/p>\n

An accomplished artist, Magos has performed in leading international cultural venues\u2014such as Carnegie Hall and Lincoln Center (NYC), the Kennedy Center (Washington, DC), the Palacio de Bellas Artes (Mexico City), the C\u00edrculo de Bellas Artes (Madrid), Union Chapel (London), and the Palau de la M\u00fasica (Valencia, Spain)\u2014and has been part of the lineup of some of the most memorable jazz festivals, including the Montreux Jazz Festival in Switzerland and the Montreal Jazz Festival. Featured as one of the most creative Mexicans in the world by\u00a0Forbes<\/em>\u00a0magazine, Magos has garnered important awards and recognitions throughout her career, including a Grammy short-list nomination in the Best Jazz Vocal Album category for her album\u00a0Distancia\u00a0<\/em>(2009), and received the Berklee College of Music\u2019s Master of Latin Music Award.<\/p>\n

In 2018, Magos released her album\u00a0Dreamers\u00a0<\/em>(Sony Music) in collaboration with Brooklyn Rider. This highly acclaimed album made the top lists of the\u00a0New York Times<\/em>,\u00a0Billboard\u00a0<\/em>classical, and NPR Music, among others, and was nominated for a Grammy for best arrangement for the song \u201cNi\u00f1a.\u201d<\/p>\n

Magos is a spokesperson for UN Women for UNiTE, a campaign to end violence against women, and for HeForShe, a promoter of gender equality. She is also on the faculty at Mannes School of Music at the New School.<\/p>\n

In May 2023, Magos released her 11th album,\u00a0Aire\u00a0<\/em>(Sunnyside Records), which is a celebration of our humanity and the healing power of music.<\/p>\n

Featured Performers<\/strong><\/p>\n

Magos Herrera: Vocals<\/p>\n

Vinicius Gomes:\u00a0Guitar<\/p>\n

Matt Penman: Bass<\/p>\n

Alex\u00a0Kautz: Drums<\/p>\n

 <\/p>\n

Tickets available online at www.clevelandart.org\/events\/magos-herrera<\/a><\/p>\n

Photo \u00a9 Shervin Lainez<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>Continuing Exhibitions\u00a0<\/u><\/strong><\/p>\n

Ancient Andean Textiles<\/strong><\/a><\/p>\n

Through Sunday, December 8, 2024<\/strong><\/p>\n

Jon A. Lindseth and Virginia M. Lindseth, PhD, Galleries of the Ancient Americas | Gallery 232\u00a0<\/strong><\/p>\n

Free; No Ticket Required<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Between about 3000 BCE and the early 1500s CE, ancient Andean weavers created one of the world\u2019s most distinguished textile traditions in both artistic and technical terms. Within this time span, the most impressive group of early textiles to survive was made by the Paracas people of Peru\u2019s south coast. Most artistically elaborate Andean textiles served as garments.<\/p>\n

 <\/p>\n

Native North American Textiles and Works on Paper<\/strong><\/a><\/p>\n

Through Sunday, December 8, 2024<\/strong><\/p>\n

Sarah P. and William R. Robertson Gallery | Gallery 231<\/strong><\/p>\n

Free; No Ticket Required<\/strong><\/p>\n

On display from the permanent collection are two Din\u00e9 (Navajo) textiles from the late 1800s and early 1900s, both of them rugs woven for the collector\u2019s market, modeled on the Din\u00e9 shoulder blanket. Also on view is a watercolor from the 1920s by the Pueblo artist Oqwa Pi (Abel Sanchez), who was key to a major development in Southwest Indigenous arts as Native people took control of representing their own cultures after centuries of marginalization.<\/p>\n

This exhibition is made possible with support from the Simon Family Foundation, a supporting foundation of the Jewish Federation of Cleveland.<\/p>\n

PICTURED: Masked Figure, 1930s<\/em><\/p>\n

Oqwa Pi (Abel Sanchez) (San Ildefonso Pueblo, 1899\u20131971). Watercolor; paper: 27.9 x 35.6 cm (11 x 14 in.). The Cleveland Museum of Art, Gift of Amelia Elizabeth White 1937.804 \u00a9 Oqwa Pi (Abel Sanchez)<\/p>\n

 <\/p>\n

Picturing the Border<\/strong><\/a><\/p>\n

Through Sunday, January 5, 2025
\nMark Schwartz and Bettina Katz Photography Galleries | Gallery 230<\/strong><\/p>\n

Free; No Ticket Required<\/strong><\/p>\n

Picturing the Border<\/em>\u00a0presents photographs of the US-Mexico borderlands from the 1970s to the present taken by both border residents and outsiders. They range in subject matter from intimate domestic portraits, narratives of migration, and proof of political demonstrations to images of border crossings and clashes between migrants and the US Border Patrol. The earliest images in this exhibition form an origin story for the topicality of the US-Mexico border at present, and demonstrate that the issues of the border have been a critical point of inquiry for artists since the 1970s. Many serve as counternarratives to the derogatory narratives of migration and Latino\/as in the US that tend to circulate in the mass media.<\/p>\n

Capitalizing on the prevalent issues of the border today,\u00a0Picturing the Border<\/em>\u00a0aims to spark vital conversations of what constitutes citizenship, as well as complex negotiations of personal identity as it relates to the border. The exhibition shows through these images that Latinx, Chicano\/a, and Mexican photographers have significantly rethought what defines citizenship, nationality, family, migration, and the border beyond traditional frameworks for decades.<\/p>\n

 <\/p>\n

This exhibition is made possible with support from Anne T. and Donald F. Palmer.<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

\"\"<\/a>Rose B. Simpson: Strata<\/strong><\/p>\n

Through Sunday, April 13, 2025<\/strong><\/p>\n

Location:\u00a0\u00a0Ames Family Atrium<\/p>\n

Free; No Ticket Required<\/strong><\/p>\n

 <\/p>\n

About The Exhibition<\/strong><\/p>\n

Rose B. Simpson (b. 1983) has envisioned a site-specific project for the Cleveland Museum of Art\u2019s Ames Family Atrium titled\u00a0Strata<\/em>. Simpson\u2019s installation was commissioned specifically for the expansive, light-filled space. According to the artist,\u00a0Strata<\/em>\u00a0is inspired by time spent in Cleveland, \u201cthe architecture of the museum, the possibility of the space, tumbled stones from the shores of Lake Erie,\u201d as well as her own Indigenous heritage and the landscape of her ancestral homelands of Santa Clara Pueblo, New Mexico, where she was born and raised and where she lives and works.<\/p>\n

Strata<\/em>\u00a0comprises two monumental figural sculptures constructed from the artist\u2019s signature clay medium, in addition to metalwork, porous concrete, and cast bronze. The figures\u2019 layers mimic rock eroded through geologic time and the structural materiality of man-made architecture. Intricate welded metal structures mounted to the heads of each figure, intended to cast shadows, mimic the structures of the mind in relationship to time and space.<\/p>\n

Simpson\u2019s identity as a Native woman has greatly impacted her work. She is from a long line of women working in the ceramic tradition of her Kha\u2019po Owingeh (Santa Clara Pueblo) tribe dating back to the 500s CE. Her large-scale sculptures represent a bold intervention in colonial legacies of dependency, erasure, and assimilation, and balance her tribe\u2019s inherited ceramic tradition with modern methods, materials, and processes.\u00a0Her work asserts a pride of place and belonging on land where Native residents have been forcefully dispossessed of their territories and cultures.<\/p>\n

Simpson has had solo exhibitions at the Whitney Museum of American Art, ICA Boston, the Wheelwright Museum, and the Nevada Art Museum, and is represented in museum collections including the Cleveland Museum of Art, Denver Art Museum, Museum of Contemporary Art Chicago, Museum of Fine Arts Boston, Princeton University Art Museum, and San Francisco Museum of Modern Art, among others. She is the recipient of several prestigious awards, including a Joan Mitchell Foundation Fellowship, a Women\u2019s Caucus for Art President\u2019s Award for Art & Activism, and was recently appointed by President Biden to the Institute of American Indian Arts Board of Trustees.<\/p>\n

The CMA\u2019s presentation of\u00a0Rose B. Simpson: Strata<\/em>\u00a0includes a richly illustrated catalogue with contributions by Nadiah Rivera Fellah, the CMA\u2019s associate curator of contemporary art; Anya Montiel, curator at the Smithsonian\u2019s National Museum of the American Indian; Karen Patterson, executive director at the Ruth Foundation; Natalie Diaz (Mojave \/ Akimel O\u2019odham), Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry at Arizona State University; and artists Rose B. Simpson and Dyani White Hawk (Sicangu Lakota).<\/p>\n

PICTURED: Rose B. Simpson working on Strata\u00a0in her studio at\u00a0Santa Clara Pueblo, New Mexico. Photo by Kate Russell<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Mexican arts and culture are on full display at the CMA. Coinciding with the museum\u2019s exhibition\u00a0Picturing the Border, Grammy-nominated vocalist Magos Herrera makes her Gartner Auditorium debut with her quartet, Wednesday, December 11, 2024, 7:30\u20139:00 p.m. Born in Mexico City and currently based in New York City, Magos is a dazzling jazz singer-songwriter, producer, and<\/p>\n","protected":false},"author":2,"featured_media":10439,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_rtcl_gb_attr":"","footnotes":""},"categories":[5],"tags":[],"wf_post_folders":[231],"class_list":["post-10434","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ohio"],"aioseo_notices":[],"rttpg_featured_image_url":{"full":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/12\/magos-CMA-copy-crop.jpg",700,483,false],"landscape":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/12\/magos-CMA-copy-crop.jpg",700,483,false],"portraits":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/12\/magos-CMA-copy-crop.jpg",700,483,false],"thumbnail":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/12\/magos-CMA-copy-crop-150x150.jpg",150,150,true],"medium":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/12\/magos-CMA-copy-crop-300x207.jpg",300,207,true],"large":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/12\/magos-CMA-copy-crop.jpg",640,442,false],"1536x1536":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/12\/magos-CMA-copy-crop.jpg",700,483,false],"2048x2048":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/12\/magos-CMA-copy-crop.jpg",700,483,false],"rtcl-gallery":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/12\/magos-CMA-copy-crop-700x462.jpg",700,462,true],"rtcl-thumbnail":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/12\/magos-CMA-copy-crop-320x240.jpg",320,240,true],"rtcl-gallery-thumbnail":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/12\/magos-CMA-copy-crop-150x105.jpg",150,105,true],"psacp-medium":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/12\/magos-CMA-copy-crop.jpg",500,345,false],"rpwe-thumbnail":["https:\/\/laprensanewspaper.com\/wp-content\/uploads\/2024\/12\/magos-CMA-copy-crop-45x45.jpg",45,45,true]},"rttpg_author":{"display_name":"LaPrensa Newspaper","author_link":"https:\/\/laprensanewspaper.com\/index.php\/author\/laprensa\/"},"rttpg_comment":0,"rttpg_category":"Ohio<\/a>","rttpg_excerpt":"Mexican arts and culture are on full display at the CMA. Coinciding with the museum\u2019s exhibition\u00a0Picturing the Border, Grammy-nominated vocalist Magos Herrera makes her Gartner Auditorium debut with her quartet, Wednesday, December 11, 2024, 7:30\u20139:00 p.m. Born in Mexico City and currently based in New York City, Magos is a dazzling jazz singer-songwriter, producer, and","_links":{"self":[{"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/posts\/10434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/comments?post=10434"}],"version-history":[{"count":1,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/posts\/10434\/revisions"}],"predecessor-version":[{"id":10438,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/posts\/10434\/revisions\/10438"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/media\/10439"}],"wp:attachment":[{"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/media?parent=10434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/categories?post=10434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/tags?post=10434"},{"taxonomy":"wf_post_folders","embeddable":true,"href":"https:\/\/laprensanewspaper.com\/index.php\/wp-json\/wp\/v2\/wf_post_folders?post=10434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}