{"id":8337,"date":"2024-01-02T20:56:06","date_gmt":"2024-01-02T20:56:06","guid":{"rendered":"https:\/\/laprensanewspaper.com\/?p=8337"},"modified":"2024-01-02T20:56:06","modified_gmt":"2024-01-02T20:56:06","slug":"january-exhibitions-and-event-listings-for-the-cleveland-museum-of-art","status":"publish","type":"post","link":"https:\/\/laprensanewspaper.com\/index.php\/2024\/01\/02\/january-exhibitions-and-event-listings-for-the-cleveland-museum-of-art\/","title":{"rendered":"JANUARY EXHIBITIONS AND EVENT LISTINGS FOR THE CLEVELAND MUSEUM OF ART\u00a0\u00a0\u00a0"},"content":{"rendered":"

\"\"Events<\/strong>\u00a0\u00a0<\/strong><\/p>\n

Joshua Redman Group, Featuring Gabrielle Cavassa<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Wednesday, January 10, 2024, 7:30\u20139:00 p.m. \u00a0<\/strong><\/p>\n

Gartner Auditorium \u00a0<\/strong><\/p>\n

Ticket required<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

From its inception, the Blue Note label has stood for \u201cthe finest in jazz.\u201d The same can be said of Joshua Redman, whom many consider to be the greatest jazz saxophonist of his generation. Over the past three decades, the musician, composer, and bandleader has consistently demonstrated how to honor the music\u2019s verities while expanding its reach in contemporary settings. On\u00a0where are we<\/em>, Redman\u2019s first recording as a Blue Note artist, he delivers one of his most challenging and compelling albums to date, built around dynamic vocalist Gabrielle Cavassa, cowinner of the 2021 Sarah Vaughan International Jazz Vocal Competition.<\/p>\n

Redman calls where are we \u201ca meditation on America and the power and importance of place.\u201d The album references songs with geographical locations in their titles, including Bruce Springsteen\u2019s \u201cStreets of Philadelphia,\u201d Count Basie\u2019s \u201cGoing to Chicago,\u201d Rodgers and Hart\u2019s \u201cManhattan,\u201d and John Coltrane\u2019s \u201cAlabama.\u201d<\/p>\n

A Bay Area native born and raised in Berkeley, California, Redman is the son of renowned saxophonist Dewey Redman and dancer Renee Shedroff. After graduating summa cum laude from Harvard in 1991, he deferred his admission to Yale Law School for one year so that he could indulge his passion for making music. Five months after his arrival in New York City, he won the prestigious Thelonious Monk International Jazz Saxophone Competition, which marked the beginning of what would become an illustrious career that has spanned nearly three decades.<\/p>\n

Redman has released more than 20 albums, which have earned him ten Grammy nominations. A perennial favorite among critics\u2019 and readers\u2019 polls alike, he has worked with other prominent musicians, including jazz legends McCoy Tyner, Pat Metheny, and Herbie Hancock; popular music artists Stevie Wonder, Quincy Jones, the Rolling Stones, the Roots, and Dave Matthews Band; and classical music luminary Yo-Yo Ma.<\/p>\n

More information about the band can be\u00a0found on Joshua Redman\u2019s website<\/a>.<\/p>\n

Performers<\/strong>
\nJoshua Redman\u2014sax
\nGabrielle Cavassa\u2014voice
\nPaul Cornish\u2014piano
\nPhilip Norris\u2014bass
\nNazir Ebo\u2014drums<\/p>\n

Tickets<\/strong>
\n$43\u2013$59, CMA members $38\u2013$53.<\/p>\n

 <\/p>\n

Tasting Notes: Date Night with Degas<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Fridays, January 12 and 26, 2024, 7:00\u20139:00 p.m. \u00a0<\/strong><\/p>\n

Reservations required<\/strong><\/a>\u00a0\u00a0<\/u><\/strong><\/p>\n

Inspired by the museum\u2019s special exhibition\u00a0Degas and the Laundress: Women, Work, and Impressionism<\/em>, Tasting Notes: Date Night with Degas is an immersion in French food, cocktails, and music in a supper club environment. Occurring on the second and fourth Fridays of the month through January, these events invite guests to indulge in Provenance\u2019s curated\u00a0Taste the Art menu<\/a>, a collaboration between Chef Doug Katz and Bon App\u00e9tit, while enjoying a live band performing a mix of French music and jazz.<\/p>\n

While these events are free and open to the public, reservations are strongly encouraged and can be made on Provenance\u2019s\u00a0website<\/a>.<\/p>\n

The entertainment is\u00a0Thorne Musica<\/a>\u00a0with Anthony Taddeo.<\/p>\n

Alla Boara<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Wednesday, January 24, 2024, 7:30\u20139:00 p.m. \u00a0<\/strong><\/p>\n

Gartner Auditorium \u00a0<\/strong><\/p>\n

Ticket required<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Alla Boara is on a fast track to becoming one of Northeast Ohio\u2019s greatest cultural exports. This ensemble seeks to bring recognition and new life to Italy\u2019s diverse history of regional folk music. The group just released a new record, and we invite you to Gartner Auditorium to celebrate this momentous occasion.<\/p>\n

Combining historical preservation with top-notch musicianship, Alla Boara\u2019s modern arrangements of near-extinct folk songs are variously surprising, playful, mournful, tender, and bewitching. The group\u2019s dynamic work aims to inspire audiences of all ethnic heritages to treasure their musical roots and consider historical songs\u2019 contemporary cultural relevance.<\/p>\n

According to\u00a0The Jambar<\/em>, this immersive show combining music, storytelling, and video takes listeners on a journey that makes them forget where they are.<\/p>\n

The vision of drummer and composer Anthony Taddeo, Alla Boara features vocalist Amanda Powell (Apollo\u2019s Fire), guitarist Dan Bruce, trumpeter Tommy Lehman, bassist Ian Kinnaman, and accordionist and keyboardist Clay Colley. Tonight\u2019s performance also features special guests Patrick Graney on percussion and Caitlin Hedge on violin.<\/p>\n

More info about Alla Boara can be\u00a0found on Alla Boara’s website<\/a>.<\/p>\n

Tickets
\n<\/strong>$33\u2013$45, CMA members $30\u2013$40<\/p>\n

70s Ball: A CMA Member Event<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Thursday, January 25, 2024, 6:00 p.m. \u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Member Party
\n<\/strong>6:00\u20139:00 p.m.
\n<\/strong>Ticket required<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

After-Party
\n<\/strong>9:00\u201311:30 p.m.
\n<\/strong>Ticket required<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Join us for an evening of celebration this winter at a 70s wonderland party exclusively for CMA members. Come dressed inspired by the 70s (let paintings by\u00a0Emma Amos<\/a>\u00a0and\u00a0Alice Neel<\/a>\u00a0be your guides) and enjoy music by\u00a0Becky Boyd & The Groove Train<\/a>\u00a0and DJ SqrBiz, selected specifically for this event by director of performing arts Gabe Pollack, themed food, and cocktails for purchase; self-guided tours of works on view made in the 1970s; photo opportunities; and other exciting experiences in Cleveland\u2019s most beautiful building.<\/p>\n

 <\/p>\n

Tickets \u00a0<\/strong><\/p>\n

CMA members $10<\/p>\n

Nonmember guests $35 (must be purchased by a CMA member)<\/p>\n

Leadership Circle members receive two complimentary tickets.<\/p>\n

Corporate members should call the ticket center at 216-421-7350 to reserve tickets.<\/p>\n

Entry includes the following: one small-plate voucher, one drink voucher, and free parking.<\/p>\n

Must be 21+ to attend.<\/p>\n

\u00a0<\/strong><\/p>\n

Members After-Party \u00a0<\/strong><\/p>\n

The party continues with an after-party disco hosted by\u00a0Column & Stripe<\/a>, the CMA\u2019s young professionals group. The after-party includes a dance set by DJ SqrBiz and complimentary late-night snacks, beer, and wine.\u00a0Separate ticket required.<\/a><\/p>\n

 <\/p>\n

Tickets \u00a0<\/strong><\/p>\n

CMA members $50<\/p>\n

Nonmember guests $50 (must be purchased by a CMA member)<\/p>\n

Leadership Circle members receive two complimentary tickets.<\/p>\n

 <\/p>\n

Entry includes the following: complimentary beer, wine, and snacks, and free parking.<\/p>\n

 <\/p>\n

Must be 21+ to attend.<\/p>\n

\u00a0<\/strong><\/p>\n

CIM Opera Theater: Cipullo\u2019s Glory Denied<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Saturday, January 27, and Sunday, January 28, 2024,\u00a03:00\u20134:30 p.m. \u00a0<\/strong><\/p>\n

Gartner Auditorium \u00a0<\/strong><\/p>\n

Ticket required<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

CIM\u2019s Opera Theater program presents a performance of Tom Cipullo\u2019s chamber opera\u00a0Glory Denied<\/em>.\u00a0Glory Denied<\/em>\u00a0is based on the experiences of Colonel Floyd James \u201cJim\u201d Thompson\u2014America\u2019s longest-held prisoner of war. After being held for nine excruciating years in Vietnam, Thompson returns home to find it and his life forever changed.<\/p>\n

Tickets
\n<\/strong>$18, CMA members $15<\/p>\n

Student tickets are available for $10 at the door on the evening of the performance (valid student ID required).<\/p>\n

 <\/p>\n

Final days and weeks! \u00a0<\/strong><\/p>\n

China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Through Sunday, January 7, 2024 \u00a0<\/strong><\/p>\n

The Kelvin and Eleanor Smith Foundation Exhibition Hall \u00a0<\/strong><\/p>\n

Ticket required<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta<\/em>\u00a0is the first exhibition in the West that focuses on the artistic production and cultural impact of a region located in the coastal area south of the Yangzi River.<\/p>\n

Called Jiangnan, this region has throughout large parts of its history been one of the wealthiest, most populous, and most fertile lands. For millennia, it has been an area of rich agriculture, extensive trade, and influential artistic production. Art from Jiangnan\u2014home to such great cities as Hangzhou, Suzhou, and Nanjing, as well as to hilly picturesque landscapes stretched along rivers and lakes\u2014has defined the image of traditional China for the world.<\/p>\n

The exhibition features about 200 objects from Neolithic times to the 18th century, ranging from jade, silk, prints, and paintings to porcelain, lacquer, and bamboo carvings. Jiangnan\u2019s lush, green scenery inspired artists to conceive it as heaven on earth.\u00a0Treasures from the Lower Yangzi Delta<\/em>\u00a0explores how this region gained a leading role in China\u2019s artistic production and how it succeeded in setting cultural standards. This international exhibition presents works of art from private and public collections and museums in the United States, Europe, China, and Japan.<\/p>\n

 <\/p>\n

Exhibition Tickets<\/u><\/strong><\/p>\n

Adults $15; seniors, students, and children ages 6 through 17 $12; adult groups (10 or more) $10; member guests $8; children 5 and under and CMA members FREE<\/p>\n

The CMA recommends reserving tickets through its online platform by visiting the\u00a0exhibition\u2019s page<\/a>. Tickets can also be reserved by phone at 216-421-7350 or on-site at one of the ticket desks.<\/p>\n

Principal support is provided by June and Simon K. C. Li and the MCH Foundation. Major support is provided by the American Friends of the Shanghai Museum and the E. Rhodes and Leona B. Carpenter Foundation. Generous support is provided by an anonymous supporter and the National Endowment for the Arts. Additional support is provided by the Blakemore Foundation, William and Terry Carey, the Gramercy Park Foundation, Carl M. Jenks, the Metropolitan Center for Far Eastern Art Studies, Xiling Group, and Zheng He Management Group.<\/p>\n

The exhibition catalogue for\u00a0China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta<\/em>\u00a0was produced with the generous support of the MCH Foundation.<\/p>\n

Generous support of the exhibition symposium is provided by the Kingfisher Foundation.<\/p>\n

 <\/p>\n

Degas and the Laundress: Women, Work, and Impressionism<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Through\u00a0Sunday, January 14, 2024 \u00a0<\/strong><\/p>\n

The Kelvin and Eleanor Smith Foundation Gallery \u00a0<\/strong><\/p>\n

Ticket required<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

This groundbreaking exhibition is the first to explore Impressionist artist Edgar Degas\u2019s representations of Parisian laundresses. These working-class women were a visible presence in the city, washing and ironing in shops open to the street or carrying heavy baskets of clothing. Their job was among the most difficult and poorly paid at the time, forcing some laundresses to supplement their income through sex work. The industry fascinated Degas throughout his long career, beginning in the 1850s and continuing until his final decade of work. He created about 30 depictions of laundresses, united for the first time in this exhibition. The artworks from this series\u2014revolutionary in their emphasis on women\u2019s work, the strenuousness of such labor, and social class\u2014were featured in Degas\u2019s earliest and most significant exhibitions, where they were praised by critics as epitomizing modernity.<\/p>\n

Degas and the Laundress<\/em>\u00a0contextualizes these works with paintings, drawings, and prints of the same subject by the artist\u2019s contemporaries\u2014including Gustave Caillebotte, Berthe Morisot, Pierre-Auguste Renoir, and Henri de Toulouse-Lautrec\u2014as well as painters that he influenced and was influenced by, from Honor\u00e9 Daumier to Pablo Picasso. It also presents ephemera, such as posters, photographs, and books, that reveal the widespread interest that Parisians of all social classes had in the topic of laundresses during the late 1800s.<\/p>\n

The exhibition is accompanied by an interdisciplinary, richly illustrated publication featuring thematic essays by scholars of art history, literature, and history.<\/p>\n

 <\/p>\n

Exhibition Tickets<\/u><\/strong><\/p>\n

Adults $15; seniors, students, and children ages 6 through 17 $12; adult groups (10 or more) $10; member guests $8; children 5 and under and CMA members FREE<\/p>\n

Principal support is provided by Hahn Loeser & Parks LLP. Major support is provided by the John P. Murphy Foundation. Additional support is provided by Christie\u2019s, the FRench American Museum Exchange (FRAME), Carl M. Jenks, Mr. and Mrs. Frank H. Porter Jr., and the Simon Family Foundation, a supporting foundation of the Jewish Federation of Cleveland.<\/p>\n

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.<\/p>\n

 <\/p>\n

Egyptomania: Fashion\u2019s Conflicted Obsession<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Through Sunday, January 28, 2024 \u00a0<\/strong><\/p>\n

Arlene M. and Arthur S. Holden Textile Gallery | Gallery 234 | Gallery 107 \u00a0<\/strong><\/p>\n

FREE \u00a0<\/strong><\/p>\n

Egyptian art has long served, and continues to serve, as a primary inspiration for fashion designers, solidifying the legacy of Egyptomania\u2014the influence of the art of ancient Egypt. This exhibition, on view in the CMA\u2019s textile and Egyptian galleries, brings together around 50 objects that explore the influence of Egyptomania in fashion by juxtaposing contemporary fashion and jewelry loaned from around the world with fine and decorative artworks from the CMA\u2019s collection.\u00a0Egyptomania: Fashion\u2019s Conflicted Obsession<\/em>\u00a0examines designers\u2019 interpretations of themes, such as Egyptian dress, funerary process, and religion, that shape our contemporary perceptions of ancient Egyptian culture.<\/p>\n

The complex history of European imperialism in Egypt, which dates back to the ages of the Greeks and Romans, has made Egyptomania in European and American art controversial. After a lull in diplomatic European interactions with Egypt from the Middle Ages to the 18th century, the 1798 invasion of the country by the French army, led by Napoleon Bonaparte, reinvigorated European and American interest in ancient Egyptian art and culture.<\/p>\n

European archaeological expeditions throughout the 19th and 20th centuries sent back massive amounts of Egyptian art to European and American museums, rousing a recurring interest in its forms in decorative arts, architecture, and fashion. After the 1922 discovery of King Tutankhamun\u2019s tomb, fashion\u2019s leading minds, from Paul Poiret to accessory enterprises like Cartier, fiercely embraced ancient Egyptian art as inspiration, making Egyptomania a staple design element. Since then, interest in ancient Egyptian culture has expanded rapidly across media, particularly platforms adjacent to the fashion industry. The exhibition also displays videos of runway shows that demonstrate fashion\u2019s continued discourse with Egyptian art.<\/p>\n

Numerous questions raised by the intersection between Egyptomania and fashion in today\u2019s social climate are also examined in the exhibition. Dialogues about cultural appropriation, ancient Egypt\u2019s place in African history, and Black empowerment continue to bubble to the surface, critiquing fashion\u2019s conflicted obsession with Egyptian art.<\/p>\n

Generous support of\u00a0<\/em><\/strong>Egyptomania: Fashion\u2019s Conflicted Obsession<\/em>\u00a0is provided by Maison Yeya. Additional support is provided by the Textile Art Alliance.<\/p>\n

On-Site Activities \u00a0<\/strong><\/p>\n

Art in the Afternoon<\/strong><\/a><\/p>\n

Wednesday, January 3, 2024, 1:00\u20132:15 p.m.<\/strong><\/p>\n

Select galleries\u00a0<\/strong><\/p>\n

Registration required<\/strong><\/p>\n

In partnership with the Alzheimer\u2019s Association, the CMA provides specialized gallery tours for those with memory loss (and one caregiver) designed to lift the spirit, engage the mind, and provide a relaxing and enjoyable social experience. Specially trained docents are sensitive to the interests and abilities of all visitors and encourage conversation, shared memories, and art enjoyment.<\/p>\n

To register, call the Alzheimer\u2019s Association Cleveland Area Chapter at 216-273-4228.<\/p>\n

 <\/p>\n

My Very First Art Class<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Fridays, January 5, 12, 19, and 26, 2024, 10:00\u201311:00 a.m. \u00a0<\/strong><\/p>\n

Classrooms B and C \u00a0<\/strong><\/p>\n

Ticket required<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Young children and their favorite grown-up are introduced to art, the museum, and verbal and visual literacy in this playful program. Each class features exploration in the classroom, a gallery visit, and art making. Wear your paint clothes! New topics each class.<\/p>\n

Age group:\u00a0Two to four years old, accompanied by a parent or guardian<\/p>\n

Theme: Paper Play<\/p>\n

Fees and registration\u00a0cost per session (four Fridays per session) for adult\/child pair $100, CMA members $85<\/p>\n

 <\/p>\n

THE FRAN AND WARREN RUPP CONTEMPORARY ARTISTS LECTURE\u00a0\u00a0\u00a0<\/strong><\/p>\n

Shahzia Sikander: Multivalence<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Sunday, January 14, 2024, 2:00 p.m. \u00a0<\/strong><\/p>\n

Gartner Auditorium \u00a0<\/strong><\/p>\n

Free; ticket required<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Shahzia Sikander<\/a>\u00a0is widely celebrated for subverting Central and South Asian manuscript painting traditions and launching the art form known today as neo-miniature. Born in Lahore, Pakistan, Sikander\u00a0earned a BFA in 1991 from the National College of Arts in Lahore. Her breakthrough\u00a0work,\u00a0The Scroll<\/em>\u00a0(1989\u201390), received national critical acclaim in Pakistan and brought international\u00a0recognition to this medium within contemporary art practices in the 1990s. She received an MFA at the Rhode Island School of Design in 1995. Over the subsequent 20 plus years, Sikander\u2019s practice, which has expanded to include paintings, media work, and, most recently, sculpture, has been pivotal in showcasing art of the South Asian diaspora as a contemporary American tradition.<\/p>\n

Join Sikander as she discusses her artistic practice as well as recent and ongoing projects, including\u00a0NOW<\/em>, an eight-foot bronze female sculpture installed on the roof of the Manhattan Appellate Courthouse;\u00a0Reckoning<\/em>, an animation that unfolded across the screens of Times Square every midnight in September 2023; and a survey exhibition of her work organized by the Cincinnati Art Museum and the Cleveland Museum of Art, opening at the Palazzo Soranzo Van Axel in Venice in April 2024.<\/p>\n

This lecture is made possible by the Fran and Warren Rupp Contemporary Artist Fund.<\/p>\n

 <\/p>\n

Martin Luther King Jr. Day Celebration<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Monday, January 15, 2024, 10:00 a.m.\u20134:00 p.m. \u00a0<\/strong><\/p>\n

Ames Family Atrium, Gartner Auditorium and Galleries \u00a0<\/strong><\/p>\n

FREE \u00a0<\/strong><\/p>\n

Join us on Monday, January 15, when the Cleveland Museum of Art opens its doors for a free daylong celebration honoring Dr. Martin Luther King Jr.<\/p>\n

Entertainment \u00a0<\/strong><\/p>\n

DJ Kristyles<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

12:00 p.m. \u2013 3:00 p.m. \u00a0<\/strong><\/p>\n

Ames Family Atrium \u00a0<\/strong><\/p>\n

FREE \u00a0<\/strong><\/p>\n

DJ Kristyles, music director and on-air personality at WOVU 95.9 FM, will spin a curated playlist specifically for Martin Luther King, Jr. Day<\/p>\n

Humbly Submitted \u00a0<\/strong><\/p>\n

1:00 p.m. \u2013 2:00 p.m. \u00a0<\/strong><\/p>\n

Gartner Auditorium \u00a0<\/strong><\/p>\n

FREE \u00a0<\/strong><\/p>\n

Humbly Submitted, one of Cleveland\u2019s most in demand Gospel groups, will perform a set of jazz and soul inspired Gospel.<\/p>\n

Art Activity:\u00a0<\/strong>Make Your Mark<\/em><\/p>\n

Amplify your artwork with the expressiveness of collage. Explore a variety of materials to create a unique portrait of your own reflection. Instructors will then guide attendees through the screen-printing process, choosing from a selection of Dr. King\u2019s iconic quotes, images, and symbols. Each participant will explore the impact of choice and leave with an imprint on a canvas referencing transformation.<\/p>\n

Response Station:\u00a0<\/strong>Poetry Wall\u00a0<\/em><\/p>\n

Immerse yourself and become inspired by the wisdom of Martin Luther King Jr. Drawing from his legendary speech, craft your own statement by weaving his words into the fabric of poetry.<\/p>\n

Family Portrait Booth:\u00a0<\/strong>Capturing Connection<\/em><\/p>\n

Step into the booth and celebrate connection. Using polaroid film, participants can capture precious family moments against a community backdrop that transforms throughout the day. Experiment with combining these snapshots with your collaged masterpiece.<\/p>\n

 <\/p>\n

In the Galleries \u00a0<\/u><\/strong><\/p>\n

Spotlight Talks\u00a0<\/strong>11:30 a.m. and 1:00 p.m.<\/p>\n

Delve into the museum\u2019s collection to explore artists inspired by themes from the Civil Rights Movement and beyond.<\/p>\n

 <\/p>\n

Art Stories\u00a0<\/strong>(ages 3+) 11:00 a.m. and 2:00 p.m.<\/p>\n

Discover the colorful connections between art and storytelling, featuring artworks from the museum\u2019s collection.<\/p>\n

\u00a0<\/strong><\/p>\n

MATERIAL MATTERS GALLERY TALK \u00a0<\/strong><\/p>\n

Making Mahler\u2019s Manuscript: A Melding of Technology, Utility, and Musical Genius<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Wednesday, January 17, 2024, 6:00 p.m. \u00a0<\/strong><\/p>\n

Ames Family Atrium \u00a0<\/strong><\/p>\n

FREE; ticket required<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Speaker:\u00a0<\/strong>Moyna Stanton, paper conservator, and Andria Hoy, archivist<\/p>\n

 <\/p>\n

Have you ever wondered how artworks in the CMA\u2019s collection are cared for? Join CMA conservators and technicians for guided tours of the galleries. Investigate artists\u2019 materials and processes and learn about how the museum preserves artworks for the future.<\/p>\n

 <\/p>\n

In this Material Matters talk, Moyna Stanton, paper conservator at the Cleveland Museum of Art, is joined by Andria Hoy, archivist for the Cleveland Orchestra and Severance Music Center. Hoy provides an overview of how the orchestra acquired Mahler\u2019s manuscript, and together they discuss the actual making of it. Hoy brings her specialization as a musician and archivist, while Stanton brings her knowledge of papermaking, writing tools, and media.<\/p>\n

\u00a0<\/strong><\/p>\n

Sensory-Friendly Saturdays at the CMA<\/strong><\/a>\u00a0\u00a0<\/strong><\/p>\n

Saturday, January 20, 2024, 9:00\u201310:00 a.m. \u00a0<\/strong><\/p>\n

FREE\u202f\u202f\u202f\u202f<\/strong>\u00a0\u00a0\u00a0<\/strong><\/p>\n

 <\/p>\n

Sensory-Friendly Saturdays offer adaptations to meet diverse sensory-processing needs on the third Saturday of each month.\u202fGuests on the autism spectrum, people experiencing dementia, and people of all ages who have intellectual or developmental disabilities are invited to participate in a calming museum experience with less stimulation,\u202fbefore the museum opens to the public\u2014reducing crowds, noise, and distractions.\u202fGuests can explore\u202fthe galleries at their own pace, relax in the designated \u201cquiet area,\u201d and share this time and space with open-minded members of the community.<\/p>\n

Here are some things to know before planning your visit:<\/p>\n

 <\/p>\n